Artist and repertoire salary1/12/2023 Two more songs from the album would follow. Somebody named Aheer was credited with composing the song for JAM8. Called JAM8, it came to the fore because of the success of Zaalima, the first single off that film’s soundtrack. ![]() And with it, was launched Pritam’s much-touted A&R (Artist and Repertoire) initiative. This means wherever you are, you’re never far away from someone who can offer advice and support.Raees released a few months ago. Lastly, within the dBs community, there are numerous tutors, learning support staff and students who run or work for record labels. Previous students have worked directly with the likes of NLS Records and Digital Assassins. In addition to industry-focussed course content, dBs Music also provides a dedicated Student Engagement Officer responsible for securing exclusive internship and work experience opportunities with established labels. Our DJ and Electronic Production diploma course contains content focussing on self-promotion, networking and the music industry.įor those studying at degree level, our Electronic Music Production and Music Production and Sound Engineering BA programmes both provide teaching on Product Design and Product Delivery, whilst our Music and Audio Technology FDA includes a module in Professional Development. Many of our courses contain modules which are directly applicable to the roles and responsibilities of a label manager: ![]() Those working in this role should be prepared to be on-call most of the time, but the good news is, if you’re passionate about what you do, this won’t always feel like work. Attending gigs to network and talent-scout also means label managers have to work some evenings. ![]() Tight deadlines are very common and the requirement to keep up communication with artists (often across a number of time zones) means keeping a strict 9-5 is difficult. Managers working for major labels will instead supervise and coordinate the output of these different departments, ensuring everything is delivered to a high quality and in line with the release schedule they have planned.īeing across everything means that label managers tend to work irregular schedules and generally stay in constant motion. Those working for smaller, independent labels may be directly involved in all aspects of a release, whereas larger labels have more resources to delegate key tasks such as marketing and promotion to sub-teams or departments. Liaising with various distribution partners and presenting them with release information to set releases up for favourable digital and physical distribution.ĭrawing up contract agreements and licensing schemes.Ī record company’s size will dictate the nature of a label manager’s day-to-day. Promoting the artists and releases, whether through traditional advertising, social media or arranging media coverage such as interviews and television appearances.ĭesigning album covers, insert art, posters, advertising and any other design work needed in the marketing and promotion of musical products. These include (but are not limited to):ĭiscovering, signing and overseeing the development of artists. ![]() Label managers are involved in pretty much every aspect of a record’s release, so there are a number of responsibilities that may fall under their remit. Working closely with artists, artist managers, distributors and external promotion teams, they are responsible for ensuring musical products are delivered on time, on budget and on brand. Label managers coordinate, schedule and promote a record company’s releases.
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